QUOTE(robcat2075 @ Oct 4 2007, 09:40 PM)

This shot is supposed to be much closer in, right?
The polishing motion looks real good. You could probably add a tiny bit of motion to the tinman's body to react to the force of the polishing. Just a tiny, tiny amount. Just a few pixels. barely noticeable.
for the transfer, drop the right hand down down to meet the other hand rather than raising the left hand so far up. Take a look at the video and notice how both hands are traveling down while the transfer is happening. It's almost like the cloth has been tossed into the other hand.
I should have converted it to QT for you. Here's a scrubbable version:
_2_01_49_transferreferenceLow.movQUOTE(robcat2075 @ Oct 4 2007, 09:40 PM)

This shot is supposed to be much closer in, right?
I asked you that on Skype and you said to not move the camera in on this shot? the talks we had before I understod that each of these scenes 48 49 and 50 moves in closer than the previous until we get to the closes closeup in scene 50 which is the next scence. So I guess we move the camera in on this scene should I have this scene start with camera already closer in or do I move it in during the scene?
QUOTE(robcat2075 @ Oct 4 2007, 09:40 PM)

The polishing motion looks real good. You could probably add a tiny bit of motion to the tinman's body to react to the force of the polishing. Just a tiny, tiny amount. Just a few pixels. barely noticeable.
I got you so I do not make him act like my Golden retriver acts when I scratch his back

(teeth grinning and tail flaping and hind leg thumping like Thumper in Bamba

)